![]() ![]() The color page has an incredible range of primary and secondary color grading features including PowerWindows™, qualifiers, 3D trackers, advanced HDR grading tools and more!ĭaVinci Resolve for iPad supports the revolutionary Blackmagic Cloud, a whole new way of collaborating using cloud based workflows. ![]() For example, primary control sliders will be familiar to anyone who’s used image editing software, making it easy to adjust contrast, temperature, mid-tone detail, saturation and more. The DaVinci Resolve for iPad color page is Hollywood’s most advanced color corrector and has been used to color and finish more high end feature films and television shows than any other system! It’s also approachable with features designed to make it easier for new users to get great results while they continue to learn the advanced tools. ![]() The sync bin and source overwrite tools are the fastest way to edit multi-cam programs, with easy to create perfectly synchronized cut aways! With DaVinci Resolve you’ll spend more time editing and less time hunting for shots. Features such as source tape for visual media browsing, fast review, and smart editing tools help you work faster than ever. The cut page has a streamlined interface that’s fast to learn and designed for speed. The cut page is perfect for projects with tight deadlines that you have to turn around quickly. Turn work around fast using cut page editing! It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals in high end post production studios! That means you can work with camera original quality images throughout the entire process. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.DaVinci Resolve for iPad is the world’s only solution that combines editing and color correction in one software tool! Its elegant, modern interface is fast to learn and easy for new users, yet powerful for professionals. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. ![]()
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